With the SoloDallas Schaffer Replica Pedal, the circuit that transformed the sound of rock and roll is back to do it all over, again.
Schaffer ceased production of the Schaffer-Vega Diversity System in 1982 to pursue other interests. Soon, new, stricter FCC regulations on wireless specifications prohibited fully-analog wireless systems of its caliber from being used. SVDS artists โ including AC/DC โ were forced to move onโฆ the legendary โSchaffer Soundโ slipped into obscurity.
Across the world, in Rome, renowned AC/DC aficionado Fil โSoloDallasโ Olivieri had been obsessed by Angus Youngโs signature tone for more than 30 years. In pursuit of that sound for more than 30 years, Olivieri had bought and duplicated every piece of equipment Angus was known to use. But something was missingโฆ
The Schaffer-Vega Diversity System (SVDS) had already succeeded in its raison dโรชtre: revolutionizing rock โn roll staging. Less known is the fact that many SVDS users took their units into the studio with them and recorded with it. The Schaffer-Vega system introduced a new twist to a process called โcompanding.โ Angus used the SVDSโ proprietary processing and companding to shape his sound and create his unmistakable signature.
Not without some hesitation, Fil finally reached Ken Schaffer โ pleading for Schafferโs help in getting his hands on one of these magical units. Awestruck by Filโs 30 year dedication and perseverance, Kenโs last two remaining โsouvenirโ units were on their way from the back of his closet to a โbetter home,โ Filโs, in Rome.
Fil asked Schaffer to condone his producing a replica โ an audio replica, not a wireless โ of the SVDS to be used for those โ like himself โ in love with that iconic sound. A team of electrical engineers in Rome and Vienna were retained to retroengineer the SVDS โrequiring, too, a worldwide search to procure components that had been discontinued decades earlier. Early prototypes of the Replica were introduced, quietly at NAMM, in January, 2014, certification completed, and production begun in Vienna in March, and fulfillment to SoloDallas blog preorders commenced in May. Recipient of unit #1 was Angus himself, who used it throughout โRock or Bust,โ AC/DCโs first album in eight years. Heโd rediscovered the secret to the best tone heโd ever had!
Scores of the Replicasโ initial users found that both versions of the Replica indeed contributed the SVDSโs legendary character through a wide variety of amplifiers โ not only tube, but also cheap solid state โ and even emulation software. Its signature tone still makes the difference, being recognizable as that sound: a definitive replication of the audio effect of the original SVDS.



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