Flash Sale ⌛ Strymon Zelzah Multi-Dimensional Phaser Modulation Pedal 🧨

Step on the Strymon Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe and pristine audio quality. Vintage four stage and six stage phasing, vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.

TWO EFFECTS AT ONCE

Zelzah’s four stage side gives you a wide array of classic tones ranging from phasing to vibrato, while the six stage side provides phasing, flanging, chorus, and more. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.

TRUE STEREO

Each side of Zelzah is true stereo, meaning that under the hood each half of the pedal actually has two phasers running side by side (two four stage phasers and two six stage phasers). The LFO offset between the left and right phaser on each side of the pedal can be adjusted, opening up a world of possibilities for creating a huge stereo image with a single pedal.

FOUR STAGE SWEEP

The four stage side gives you a choice of three phase sweep types: Classic is a single LFO with a warped triangle shape for a familiar vintage sound. Barber can create a seemingly continuous upward or downward sweep, and Envelope allows the phase sweep to be dynamically controlled by your input signal.

SIX STAGE SWEEP

The six stage sweep is carefully tuned, and behaves differently as you change Voice, Depth, and Speed settings. Dial in a slow Chorus and you are getting a true triangle wave sweep, but as you turn the Speed up, the LFO distorts and gets uneven for Leslie type sounds.

SIX STAGE VOICE

The Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience. Not only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, our groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound. Explore a range of fresh musical tones that are not merely a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob further for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours.

FOUR STAGE MIX

The four stage Mix control can be used to dial in a surprisingly wide variety of sounds. With Sweep set to Classic, the Mix control gives you a range from subtle phasing to full-on classic phasing sounds, and then onward to some quite pleasing phase vibrato effects. With Sweep set to Barber, higher Mix settings with lower Depth settings can get into harmonic tremolo territory, while with Sweep set to Envelope, higher Mix settings can result in interesting pitch shifting effects.

TWO PEDALS IN ONE

Want to use both effects at once? There are three ways you can do that! Choose Series and the six stage phaser runs into the four stage, just like two pedals on a pedalboard. Or choose Parallel and your dry signal will be processed by each phaser independently and mixed at the output. Or choose Split and hear the four stage phaser on the left output and the six stage phaser on the right.

SOUND DESIGN

FEATURES:

• Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations
• Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope
• Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance
• True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with independently adjustable stereo spread for each
• All controls are carefully voiced to produce musically useful sounds at any setting
• Adjustable input level switch to allow for both instrument and line level signals
• Selectable Buffered or True Bypass
• Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations